|

|
 |
| DIANA, IN MEMORIAM (Page 3 of 5) |
I don't think there can be any doubt that these dreams were prophetic. The Queen delivering a sombre message was an exact preview of a real event: forced by public pressure to make some kind of statement about the loss of Diana, Her Majesty did so from behind her desk at Buckingham Palace, some six days after Diana died. The future - this tells me that these are future events, and that they concern Charles and Diana. The matter is serious, which, of course it was. Involved in the events are cameras, a flash and a large explosion. Well, this is doubly interesting: members of the paparazzi with their cameras and flash bulbs were initially accused of driving Diana to her death. However, cameras and flashes may also figure more sinisterly: the seventeen government radar cameras situated between the Ritz and the Place d'Alma as well as the camera in the tunnel itself were apparently not functioning at the time of the crash, yet I have seen a full-frontal photograph of the car on its fatal journey - Diana and Dodi can clearly be identified sitting together in the back seat behind Henri Paul and Trevor Rees Jones - which must have been taken along that route. And if CCTV or radar cameras did not take this photograph, who did? There have been various reports of a flash in the tunnel before the impact, whether this was an intensely bright light deliberately fired to dazzle the driver, a CCTV camera being activated, or a spark created by the Mercedes' collision with a car in its path. And, of course, there was a loud explosion as the car careered into the thirteenth pillar. The empty car seat has a literal meaning in that Diana was found in the well of the car leaving her seat empty, and it is also a metaphor for an empty throne. Sand dune is a reference to the desert sands of Egypt, linking events to Dodi Fayed. Black and white are real life features of events - photographs, black Mercedes, white Fiat/white Mercedes, and Diana was dressed in a pair of white jeans and a black jacket. However, the phrase black and white also infers reality - facts, no argument. Sudden and unannounced - well, that's what all accidents are. Peter fired - who is Peter? And did his being fired contribute to the events that led up to the crash? Or did a Peter fire something - a flashbulb, a strobe light or a gun? Or could Trevor Rees-Jones, the bodyguard, be seen as Peter, whose name means the rock? France - the accident took place in Paris. Plastic surgery to conceal his identity- Trevor Rees-Jones, who was the only survivor of the crash, had extensive plastic surgery to his face. Maybe too, there is some element of concealment here, whether of the events or identity. The number 3 may represent the three who were killed or three factors/people behind the crash. The marriage, closely followed by the phrase, it's not over, it's very much on could be a reference to the possibility that Diana and Dodi were planning to marry, and the controversy such a marriage would create is certainly a factor in the conspiracy theory. Prince Charles might be cross if she gave it away - this could be interpreted as Charles being angry over her apparent disregard for her safety (wearing a seatbelt would have greatly increased her chances of surviving the accident) or maybe this sentiment pertains to her giving her heart to another man, or, perhaps, revealing a secret. The car is another allusion to her death in a traffic accident. William is seated in the same chair: now, this also has more than one meaning. In my dream William appears older, which indeed he was at the time of her death eight years later, but his sitting in the same chair could imply that he may find himself in the same position as his mother. And does this merely infer that like Diana he will be adored by the public and pursued by the press or is it a warning of his own untimely death? He states, "They don't tell me everything…" which suggests that he is not always aware of everything that perhaps he should be aware of, including events surrounding his mother's death. For a few minutes we lost complete radio contact with them - it took three minutes for the Mercedes to leave the Ritz and reach the thirteenth pillar in the Alma tunnel, during which time there was apparently no radio or telephonic communication between the passengers and security. Police, motor-cycles, white car and black car were all key features involved in the events leading up to the fatal accident - Diana's black Mercedes, a white Fiat, and also reports of a white Mercedes and a 'large black car'. Prevent the black car from moving forward - this could be an allusion to the fact that death prevented Diana's life story from continuing, or it could be a literal reference to the report that an obstacle impeded the Mercedes progress. I was intrigued to read the witness statement of a Monsieur Bonin who found himself next to the Princess's car at the traffic lights at the base of the Champs-Elysees that night in which he declared, " [There was] a very big black Mercedes off to my left [and] a big black motorcycle registered in [department] 75, Paris, with two people on it. The person on the back was carrying a camera… As the light turned green… there seemed to be a black car in front of the Mercedes which did not start, blocking the Princess's car."
Of course, there is very little in these dreams to decipher whether the crash was an accident or brought about on purpose, only, perhaps, William's enigmatic statement that they don't tell him everything. Certainly, the major reason for the rise and rise of conspiracy theories is the incomprehensible proposition that the death of such a luminous being could have been caused by a series of catastrophic decisions and a drunk driver. Nevertheless, there are some untidy loose ends, one of which arises from M. Bonin's statement in which he describes the pillion passenger on the motorcycle taking "pictures [of the interior of the Princess's car] continually with a flash light", yet none of the photographers' films confiscated from that night by the police at the scene of the accident yielded any such shots. There is also some controversy as to why Henri Paul continued along the expressway to the Alma Tunnel when the most direct route from the base of the Champs Elysees to Dodi's apartment was via Avenue George V. According to Trevor Rees-Jones' account of that night given to his co-author, Moira Johnston, in The Bodyguard's Story the mystery as to why Henri Paul did not head up the Avenue George V could be explained in this way:
"Trevor's best record of events… has to be the findings of the French criminal investigation's rigorous fourteen-month technical examination and reconstruction of all the evidence. One of its conclusions - that Henri Paul may have been forced into the Alma Tunnel because motorcycles blocked the exit he intended to take - is still a leap of faith unsupported by hard proof."
The voices of reason are in no doubt that Diana's death was an accident. According to Trevor Rees-Jones, on the night of the 30th August, 1997, it was Dodi who, alarmed by the aggressiveness of the paparazzi, decided to cancel dinner at Chez Benoit and dine instead at the Ritz. It was Dodi's decision to leave the sanctuary of the hotel for his apartment, he who insisted that Henri Paul drive the Mercedes, and Dodi's idea that two decoy cars should be driven to the front of the hotel to confuse the paparazzi so that he and Diana could make their escape via the back door. Such random events could in no way allow for an assassination plot to be carried out. And yet it is not impossible. As Sherlock Holmes opined, when you have eliminated the impossible, whatever remains, however improbable, must be the truth.
We can assume that if the crash were an assassination, the organization involved would have had considerable experience. They'd know what they were doing. Indeed, the accident in which Diana died bears an uncanny resemblance to one outlined in an MI-6 proposal to eliminate the Serbian President, Slobodan Milosevic. Richard Tomlinson, an MI-6 operative who worked in its East European controllerate from March 1992 until September 1993 declares in a sworn and testified statement made on 12 May 1999 that he had been shown a document in 1992 by Nicholas Fishwick, an MI-6 officer, in which three methods of assassinating Milosevic were outlined, the third being a staged car crash, "…possibly during one of his visits to … Geneva… [which could be achieved] by disorientating Milosevic's chauffeur using a blinding strobe light as the [motor] cavalcade passed through one of Geneva's motorway tunnels." Diana was a frequent visitor to Paris and with her growing appreciation of Mohamed Fayed's avuncular friendship she had often stayed at the Ritz Hotel which he owned, so it is not inconceivable that a proposal could have been drawn up by a first class team of agents along the above 'Milosevic' lines which could be activated at a moment's notice when it became appropriate. Not, of course, that I am suggesting MI-6 did so. Tomlinson also declared in this same statement to have seen files naming Henri Paul as a French informer for MI-6 and that one of the paparazzi photographers that routinely followed the Princess of Wales was a member of "UKN" - a small corps of part time MI-6 agents. I should add that Richard Tomlinson's reputation is in shreds such that his statements must be treated with circumspection, yet MI-6 have gone to extreme lengths to make his life very, very uncomfortable, and there is no doubt that he was one of its operatives…
By 29 August 1997 all those on a need-to-know basis would have been informed of Diana's and Dodi's intention to leave the in Sardinia and head to Paris the following day. In fact the paparazzi was waiting at Le Bourget airport that morning when the private plane, Gulfstream 4, carrying the couple landed. On landing Diana's and Dodi's luggage was taken to his apartment on the Rue Arsene, where they intended to spend the night. By lunchtime, dinner had been booked at the fashionable restaurant, Chez Benoit, for 9 45 pm. In the wake of the intense press presence, however, this booking was cancelled at the last minute and the couple was driven to the Ritz, where they dined instead. Yet even with this unforeseen change in plan the most important element of a possible assassination plot would have still been in tact - that Dodi and Diana would at some point return to his apartment, and probably later that night. Were a blueprint to be activated on the 29th, all the protagonists would have more than enough time -over twenty-four hours - to be in place - motor cycles, cars, strobe lights and so on. It did not even matter which car took them to Dodi's apartment, just as long as it went through the Alma tunnel. Any driver, drunk or sober, would have had no chance of avoiding a violent collision with a pillar were he to have been heading into the Alma tunnel at a speed of 70 mph and either disoriented by a bright light and/or clipped by a motorbike or car. That M. Paul may have been as high as a kite on a cocktail of anti-depressants and alcohol was an accidental plus - he was only summoned by Dodi to be the driver an hour before the crash.
|
|
DIANA, IN MEMORIAM
Online Version (Page 1 of 5)
Online Version (Page 2 of 5)
Online Version (Page 4 of 5)
Online Version (Page 5 of 5)
.pdf Format (60Kb)
|
|
|
 |
 |